SCULPTURE FOR CATALHOYUK

After a research visit to the famous neolithic excavations at Catalhoyuk in central Turkey in the summer of 2005, Archer is now working on a long term project to make an installation for the Catalhoyuk site. This will a comprise a cluster of mud brick towers with an interactive sound
installation of local villagers narrating their dreams. Initial work with local craftsmen will commence in Spring of 2006.
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SCULPTURE FOR NOVARTIS GRIMSBY LTD
This sculpture has evolved from a series of works which incorporate an upright stele or obelisk and a horizontal form 'earthing' it to the ground.

In some of my stele forms, the stele is rough hewn and relates to archaeological forms, but here it is very precise and refers to the precision and complexity of the scientific and pharmaceutical process.

The stele is an abstract representation of a standing figure and this form, widening as it rises, can be seen as a metaphor for the spirit. The circular base is a metaphor for wholeness and connectivity.

In addition to the figure represented in the stele, the sculpture includes people in that viewers can enter the arena of the ring and become part of the sculpture by sitting within it. Here conversations and discussions can occur or it can be a place for quiet contemplation.

The fragmented nature of the ring characterises much of my work. It evokes the fragmentary nature of ancient buildings and of our memories both of individual pasts and collective history. This contrasts strongly with the precise modernism of the stele form.
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ECHOES, MEMORIES, DREAMS
RECENT SCULPTURE BY MICHAEL DAN ARCHER

Djanogly Art Gallery, Nottingham.

Saturday 26 February - Sunday 10 April 2005
Amazing stone and iron sculptures strongly evocative of ruined ancient architecture and the archaeology of the remote past.
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TWO - SCULPTURE BY MICHAEL DAN ARCHER AND PAL SVENSSON
The Customs House, South Shields, Tyne & Wear.
Thursday 17 March - Sunday 24 April 2005
Päl works with materials such as steel and stone. He seeks to make the stone transparent, as the light floods through openings in the stone, appearing to change the form of materials usually considered dark and impermeable. Michael's sculptures invoke the massiveness and physicality of stone, and utilise the sensual qualities of light, and the intense quality of neon. One piece heralding the exhibition, will be sited on The Customs House building itself. His sculpture deal with artifacts and forms, implying a human presence.
www.customshouse.co.uk

SCULPTURE IN THE WORK PLACE: STONE
Lobby, One Canada Square & Jubilee Park

JOHN AIKEN
MICHEAL DAN ARCHER
STEVE DILWORTH
TIM HARRISSON
JOHN MAINE RA
Monday 4th April - Thursday 9th June 2005
Stone sculpture remains a vital form of expression, and artistscontinue to explore its possiblities in diverse ways. Michael Dan Archer's heavy, roughly hewn slabs appear almost weightless through their mysterious halos of light.

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